received a Masters in Digital Photography from the School of Visual Arts in NY
in 2015. He has participated in numerous workshops and exhibited widely,
including: Tracing Obsolescence,
Apexart, New York, 2018; Immigrant
Artists and the American West, Tacoma Art Museum, Washington, 2018; New Threads, Circle Art Gallery,
Nairobi, 2018; Biennal Forografica Bogota,
2017, Bogota, Columbia and PAPER:work,
Pioneer Works, New York, 2017. Karmali’s work has featured in the Addis Foto
Fest, Lagos Photo Festival. In 2019, he was one of the artists commissioned to
create work following the inaugural Open Call for The Shed Museum in New York.
focuses on the transformation of objects and materials by global economic
flows. He draws on his observations of these, as well as his own physical
experience of moving through international borders and cultural spheres. Paradise (his new body of work) is a new and on-going body of
work in which Karmali engages with time and memory and his experience of
migration. Combining screen-printing and dyeing techniques, Karmali creates
atmospheric compositions built up from personal photographs, which evoke the
humidity and ecosystem of his mother’s memory of her native Seychelles islands.
Abstract from a distance, with the image appearing only upon close inspection,
the Paradise seriespossess a dreamlike quality, transporting
the viewer to a time and place long past, both real and imaginary.