Klari uses the tools and techniques of science in her creative process, constantly experimenting with new ways to apply materials and methods. She is driven by curiosity and her desire to explore and document the natural and unnatural with a sense of wonder and joy.
The artist works in San Francisco, close to one of the largest concentrations of life science companies in the world. Klari takes advantage of this proximity to collaborate with local biomedical companies and thus receive inspiration from the cutting edge of biological techniques and discoveries; this context grounds her artwork and lets her authoritatively explore the increasingly fuzzy line between the technological and the natural.
The unifying theme of Klari’s art is her mastery of a new media plastic, epoxy polymer, and the fine control she brings to its reactions with a constantly-expanding variety of dyes and pigments. The UV-resistant plastic, similar to resin, supplies a common framework for the methods and language that she uses to explore and express interactions of material and color on a microscopic level. Compositions display brightly colored smears, bumps, stains and blobs atop aluminum and wood panels. She pigments the plastic with powders, oils, acrylics and industrial dyes, built up through many layers of the ultra-glossy plastic. The shapes and colors bleed, blur, shift, and spread becoming remarkable through their eccentric detail. A skilled technician with a studio for a laboratory, Klari has turned these processes of her own invention into science in the service of her art.
Klari continues to develop her process and explore her unique synthesis of biology and creativity via her installation works, Hypochondria. The projects consist of hand painted petri dishes mounted on the wall at varying distances in groupings of 150, 60, or 30 pieces.
In her characteristically vibrant, playful style, the newest sculptural wall pieces explore principles of biology and the forces of nature. These works mirror basic biological structures, and use principles and mechanisms proven in nature.
Klari’s work is housed in many public collections including Microsoft Research, UK, Stanford University Medical Centre, and Peninsula Shanghai Hotel, and has been featured in international publications such as: The New York Times, GQ, Nature Chemical Biology, Elle Magazine, Art in America, The New York Post, The Independent, Frieze Magazine, The Financial Times, CNN Business Report and CBS News Market Watch.