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Anna Stahn (f. 1994, Danmark) MFA, Det Kongelige Danske Kunstakademi og Parsons Fine Art, The New School, NYC. Stahn arbejder med formater på papir, i tekst eller skulpturelt i metaller, keramik og tekstiler. Gennemgående er hun indholdsmæssigt optaget af kvindeliv, udvekslinger og modernitet. Stahns værker undersøger de sider af menneskets væren, som styres af begær, økonomier og det imaginæres kraft og hun sætter med sine værker fokus på menneskets stærke tilknytning til den materielle verden.

Seneste solo-udstillinger omfatter Wide-eyed open, Politikens Forhal (2023),Walking Debt, Kunstforeningen Gl. Strand (2022) og Stars in the hair, Alice Folker Gallery (2021), som modtog en præmiering af Statens Kunstfond. Seneste gruppeudstillinger omfatter MAD MAD MAD, Gl. Holtegaard (2022), FED LER - Krukker i kunsten nu, Gl. Holtegaard (2021), In Print, BORCH Editions (2021), samt dépendance Bruxelles x Alice Folker (2020). Stahn er desuden medstifter og redaktør af forlaget Longetti.

Asger Harbou Gjerdevik (b. 1986, Danmark) MFA, Royal College of Art, London og BA Fine Art, Central Saint Martins College of Art and Design, London. Gjerdevik arbejder i forskellige medier som maleri, skulptur, collage og tegning. Med inspiration fra hverdagens omgivelser, filmvidenskab, musik, kunsthistorie og arkitektur undersøger Gjerdevik menneskelivet i kompositioner fyldt med ikoniske symboler og grafiske elementer. Ofte er resultaterne både komplekse og grænseløse billedrum eller strukturer, med potentiale for evig forandring og skiftende historier.

Seneste udstillinger omfatter Pictures in Pictures, Alice Folker Gallery (2023), Koloristerne, Den Frie Udstillingsbygning (2023), Mallorca Suite CCA (ES, 2021), Følge natten hjem, Politikens Forhal (2021); Early Morning (We Build upon Ruins), Alice Folker Gallery (2020) og Driving Home for Christmas, Kunstforeningen Gl. Strand (2019). Seneste gruppeudstillinger omfatter Art Brussels (BE, 2022), duo-udstilling m. Bob Eikelboom, Alice Folker Gallery (2022), Philipp Haverkampf, Berlin (DE, 2020), dépendance Bruxelles x Alice Folker (2020) og Kunsthalle E-werk, Kunstverin Schwerin (DE, 2019). Gjerdevik har skabt værker til udsmykning af Østre Landsret (2022) samt Vestre Landsret (2022), og hans værker er i Københavns kommunes samling, Politikens Hus samling samt i Retten i Lyngby.

Casper Aguila (f. 1985, Danmark) Accademia Italiana, Firenze. Med fotografi som sin primære udtryksform, arbejder Aguila ofte i et krydsfelt mellem dette og andre medier som installation, skulptur, tegning og maleri. Med et perspektiv der både er poetisk og råt fanger Aguila naturen og mennesker i sarte skrøbelige situationer, og tilføjer sit eget aftryk ved at præge kompositionerne med grove penselstrøg og selvkonstruerede rammer.

Aguilas seneste udstillinger omfatter Little shop of extraordinary personal beauty, Alice Folker Gallery (2022), In the Zone, Alice Folker Gallery (2022), Sculptural photography, Alice Folker Gallery (2022), Future landscapes and monuments, Alice Folker Gallery (2021), dépendance Bruxelles på Alice Folker med Linder, Thilo Heinzmann, Henrik Olesen (2020) samt Philipp Haverkampf, Berlin (DE, 2020). Hans værker har været vist på Copenhagen Photo Festival og Arles Photo Festival. Casper Aguila og Frederik Næblerød blev nomineret til Kunstkritikerprisen i 2018 (AICA-prisen) og deres duo-udstilling Off-Grid på Alice Folker Gallery (2019) blev præmieret af Statens Kunstfond.

Frederik Næblerød (f. 1988, Danmark) MFA, Det Kongelige Danske Kunstakademi. Næblerød arbejder i diverse medier, herunder maleri, tegning, skulptur og off-grid projekter. I sine produktioner, der ofte komponeres i et højt tempo, henter Næblerød inspiration fra sine umiddelbare omgivelser og omsætter her den vilde dirrende energi fra livet, til nærværende og relevante værker, hvori beskueren kan finde hints og referencer til problemer i samfundet

Udstillinger omfatter soloudstillinger på Gammel Holtegaard, 2023 , Work in Progress, Vejle Kunstmuseum (2022), Time To Move, Horsens Kunstmuseum (2022), Mental Make-Up, Alice Folker Gallery (2021), Monsters and politics på Kunsthal for Maritim Æstetik (2019). Seneste duo- og gruppeudstillinger omfatter Skovgaard Museet, Lazy 8 med Farshad Farzankia, The Telegraph (CZ, 2022), Seriously Fun m. Jeppe Hein, Jeppe Hein Studio (DE, 2022), Art Brussels (BE, 2022), MISA VAN HAM powered by König Gallery, (DE, 2021), Artissima (IT, 2021), FED LER - Krukker i kunsten nu på Gl. Holtegaard (2021), Philipp Haverkampf, (DE, 2020), Politikens Forhal (2020), Kunsthalle E-Werk, (DE, 2019), Anat Ebgi Gallery (L.A., 2018), NADA i Miami med Canada Gallery (NYC, 2017). Duo-udstillingen OFF-Grid med Casper Aguila (2019) blev præmieret af Statens Kunstfond. Hans værker er til at finde i flere samlinger herunder: Ny Carlsberg Fondet, Statens Kunstfond, Kastrupgårdsamlingen, Vejle Kunstmuseum og Horsens Kunstmuseum.

Hiu Tung Lau (f. 1985, Hong Kong) modtog sin MA fra The Royal College of Art, London og BFA fra The School of Visual Arts, New York. Hiu Tung Laus værker er karakteriseret af et malerisk sprog funderet i hverdagens motiver og følelser. Hendes arbejde kan anskues som en meditation over malerprocessen. Linjer, farver og former træder frem uden en bevidst indsats fra hendes side. Herigennem udforsker hun oplevelser, der har en følelsesmæssig indvirkning på hende og inspirerer hende til at male, hvad end det gælder en fremmed hun møder på gaden, buskene langs fortovet eller smagen af kumquat.

Seneste udstillinger omfatter I am in training, don’t kiss me på Flowers Gallery, Hong Kong (2022), In the Zone på Alice Folker Gallery, København (2022), A cow’s head and a horse’s Jaw på Karin Weber Gallery, Hong Kong (2021), Don’t forget to look at the moon på Alice Folker Gallery, København (2020), Dramas of the human heart på Fringe Club, Hong Kong (2019) og The Snapdragons på Dyson Gallery, London (2017).

Karim Boumjimar (f. 1998, Spanien) er ved at færdiggøre sin MFA ved Det Kongelige Danske Kunstakademi, København og har en BFA fra Central Saint Martins College of Art and Design, London. Boumjimar arbejder med performance, maleri, skulptur, installation og tegning. Hans værker skildrer ofte queer mennesker og fællesskaber og udforsker måder, hvorpå querness kan være både smukt og udfordrende ved at dykke ned i kompleksiteten af identitet, intimitet og sociale dynamikker.

Boumjimar har tidligere haft soloudstillinger på Alice Folker Gallery (2023); Creator Projects, København (2023); NSFW/SVILOVA, Göteborg (2023); Springbrættet 6a, København (2023); Galleri 1,4 m3, København (2022) og Art Hub, København (2021). Seneste gruppeudstillinger og performances omfatter shows på Centro de Arte la Panera, Barcelona (2023); Dag H 42, København (2023); Overgaden Institut for Samtidskunst, København (2021); Blake & Vargas, Berlin (2021); Kunstverein, Hamborg (2021); Cucina x Copenhill, København (2021); Schauspielhaus, Zurich (2021) og Alexander Sauna, Athen (2018).

Sideløbende med sin praksis har Boumjimar siden 2016 optrådt med Young Boy Dancing Group på forskellige venues i København, Berlin, München, Helsinki, Vilnius, Milano, Madrid og London.

Maria Zahle (f. 1979, Danmark) modtog sit Postgraduate Diploma i Fine Art fra Royal Academy Schools, London og BA i Fine Art (Hons) fra The Slade School of Fine Art, London. Zahles praksis er tværdisciplinær og hun arbejder med skulptur, tekstil, collage, og poesi. Skulpturel vævning og plantefarvning har i de seneste år været en central del af hendes praksis.

Seneste udstillinger omfatter SOLO, Alice Folker Gallery (2023), No Stranger or Lover to Me, Rønnebæksholm (2022), Nat Skærer Blå, Vandrehallen Hillerød Bibliotek (2021), The Toe The Horse The Sister , Bladr (2021), Sunny Legs, Frise Kunsthal, (DE, 2021), The Toe The Horse The Sister, Kunsthal Charlottenborg (2021), #AOTD - Art of the Day, CCA Andratx, (ES, 2020), Trotsky and the Wild Orchids, Arcade, (UK, 2018), Maria Zahle i Cobra-Rummet, Sophienholm (2018).

Marie Rud Rosenzweig (f. 1990, Danmark) har studeret på Den Kongelige Danske Kunstakademi på Fyn, på Univärsitet der Künste i Berlin og Kunstakademie Düsseldorf. I sin kunstneriske praksis anvender Rosenzweig maleri, installation og tekst i narrativ forstand. Således kan hendes værker betragtes som refleksioner af en skjult historie. En større fortælling, der udfolder sig i brudstykker, som beskueren møder gennem ord, form og farve.

Seneste udstillinger omfatter Kipple, soloudstilling, Kunstforeningen Gl. Strand (2023), In the Zone, Alice Folker Gallery (2022), Kassandras Søstre, Rundetårn (2022), Likert; never, rarely, sometimes, always, Baka’d’Busk (2021), Julesalon, Alice Folker Gallery (2021), Uge 4, Alice Folker Gallery (2021), Awakening before dawn, Kunst im Hafen (DE, 2021), Glitch, Baggaarden (2020), Para-, FAA Room (2018), samt Untitled // The green exhibition, VÆRK (2016). Hun blev i 2015 indstillet til prisen for unge malertalenter; Schulz-Stübner-Preis.

Ragnhild May (f. 1988, Danmark) MFA, Milton Avery Graduate School of the Arts, Bard College, New York. May kombinerer forskellige medier som lyd, skulptur, video, installation og performance med konceptuel stringens, følsomhed og humor, og hun designer samt bygger ofte sine egne instrumenter. Brugen af lyd i en sammenhæng med billedkunst er af særlig betydning, da hendes arbejde er grundfæstet lydens specificitet, teori og historie.

Seneste soloudstillinger omfatter Jyske Monstre, Regelbau 411 (2023) Institutional Critique for Kindergarten,Tabakalera - International Centre for Contemporary Culture (ES, 2022), Summer Scammer, Sol Nexø (2021), Salary-man does it “My Way” only when he sings, TADA art space (2019). Seneste gruppeudstillinger omfatter Drive in for Sound Art (NO,2021), The Aesthetic Ear, Rønnebæksholm (2021), Struer Tracks Biennale (2021), Enter Art Fair (2021) og Interdimensionale på Gammelgaard Museum (2020).
May har bidraget med performances til The New Museum (2020) i New York (US), Roulette (2019) i New York (US), Astrid Noacks Atelier (2019), Den Frie Udstillingsbygning (2019), Overgaden (2018), SuperDeluxe (2017) i Tokyo (JP) og SMK (2015). Hun har desuden modtaget Carl Nielsens Talentpris, og er fra 2020-2022 udvalgt af Statens Kunstfond til at deltage i karriereudviklingsprogrammet ’Den Unge Kunstneriske Elite’.

Sophie Kitching (f. 1990, Isle of Wight, Storbritannien) dimitterede fra École nationale supérieure des Arts Décoratifs, Paris, og blev tildelt et internationalt stipendium til at studere ved School of Visual Arts, New York. Kitching arbejder i forskellige medier, herunder installationer, malerier og skulpturer. Med en poetisk udforskning af hendes miljø og naturfænomener byder hendes værker på nysgerrige refleksioner over begreberne rum og realiteter gennem en dragende og indbydende materialitet. Via dynamiske kontraster som æterisk, råhed, lys, det sete og det usete, skaber kunstneren atmosfærer af både utopisk overjordiskhed og en grundfæstet fortrolighed, som beskueren kan træde ind i.

Seneste udstillinger omfatter solo show Nocturne, 3A Gallery (NY, 2023), De leur temps (7) at FRAC Grand Large – Hauts de France (FR, 2023), touch of time, solo show, Alice Folker Gallery (2022), Degrees, Minutes, and Seconds, The Finch Project (UK, 2022), In the Zone, Alice Folker Gallery (2022), Enter Art Fair (2022), Maison 1729 i samarbejde med House of Ruinart under Frieze Art Fair (US, 2022), The English Garden, Galerie Isabelle Gounod (FR, 2022), i set my face to the hillside, PS122 Gallery (US, 2022), carte blanche, Park Hyatt (US, 2021), Nuits Américaines, Maison de Chateaubriand (FR, 2017-2018), Appareiller, Palais de Tokyo (FR, 2017). I 2016 blev Sophie Kitching nomineret til “Bourse Révélations Emerige” og i 2018-2022 blev hun tildelt et Studio residency som en del af Painting Space 122 i New York.

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Esplanaden 14, st. th.
1263 Copenhagen K
Tuesday–Friday: 11am - 5pm
Saturday: 11am - 4pm
Email: gallery@alicefolker.dk
Phone: +45 40 15 58 05

Anna Stahn (b. 1994, Denmark) MFA, The Royal Danish Academy of Fine Arts and Parsons Fine Art, The New School, NYC. Stahn works with formats on paper, in text or sculpturally in metals, ceramics and textiles. Throughout her practice, she is concerned with women's life, exchanges and modernity. Stahn's works examine the aspects of human existence that are controlled by desires, economies and the power of the imaginary, and through her works she focuses on the strong human attachment to the material world.

Recent solo exhibitions include Wide-eyed open, Politikens Forhal (2023), Walking Debt, Kunstforeningen Gl. Strand (2022) and Stars in the hair, Alice Folker Gallery (2021), which received an award from Statens Kunstfond. Recent group exhibitions include MAD MAD MAD, Gl. Holtegaard (2022), FED LER - Jars in art now, Gl. Holtegaard (2021), In Print, BORCH Editions (2021), and dépendance Bruxelles x Alice Folker (2020). Furthermore, Stahn is the co-founder and editor of the publishing house Longetti.

Asger Harbou Gjerdevik (b. 1986, Denmark), MFA in Painting, Royal College of Art, London and BA in Fine Art, Central Saint Martins College of Art and Design, London. Gjerdevik works in various media such as painting, sculpture, collage, and drawing. With inspiration from everyday surroundings, movies, music, art history, and architecture, Gjerdevik examines human life in compositions filled with iconic symbols and graphic elements. Often the results are both complex and boundless pictorial spaces or structures, with the potential for perpetual change and differing stories.

Recent solo exhibitions include Pictures in Pictures, Alice Folker Gallery (2023), Mallorca Suite, CCA (ES, 2021), Følge natten hjem, Politikens Forhal (2021), Early Morning (We Build upon Ruins), Alice Folker Gallery (2020) and Driving Home for Christmas, Kunstforeningen Gl. Strand (2019). Group and duo exhibitions include Koloristerne, Den Frie Udstillingsbygning (2023), Art Brussels (BE, 2022), duo-exhibition with Bob Eikelboom, Alice Folker Gallery (2022), Philipp Haverkampf, Berlin (DE, 2020), dépendance Bruxelles x Alice Folker (2020), Kunsthalle E-werk at Kunstverein Schwerin (DE, 2019), Den Frie Udstillingsbygning, and Collyer Bristow Gallery (UK). Gjerdevik has created a public commission to Western High Court (2021) and the Eastern High Court (2022), and his works are in the collection of the City Council of Copenhagen and Politikens Hus, as well as the court in Lyngby, Denmark.

Casper Aguila (b. 1985, Denmark) Accademia Italiana, Florence. With photography as his primary form of expression, Aguila often incorporates other media such as installation, sculpture, drawing and painting. With a perspective both poetic and raw, Aguila captures nature and people in delicate fragile situations, and adds his own personal imprint by marking the compositions with rough brushstrokes and self-constructed frames.

Recent exhibitions include Little shop of extraordinary personal beauty, Alice Folker Gallery (2022), In the Zone, Alice Folker Gallery (2022), Sculptural photography, Alice Folker Gallery (2022), Future landscapes and monuments, Alice Folker Gallery (2021), dépendance Bruxelles, Alice Folker Gallery with Linder, Thilo Heinzmann, Henrik Olesen (2020) and Philipp Haverkampf, Berlin (DE, 2020). His works have furthermore been exhibited at Copenhagen Photo Festival and Arles Photo Festival. Casper Aguila and Frederik Næblerød were nominated for Kunstkritikerprisen in 2018 (AICA-prisen) and their duo exhibition Off-Grid at Alice Folker Gallery (2019) received an award from Statens Kunstfond.

Frederik Næblerød (b. 1988, Denmark) MFA, The Royal Danish Academy of Fine Arts. Næblerød’s works span across various media including painting, drawing, sculpture, and off-grid projects. Often being productive at a high speed, Næblerød draws inspiration from his immediate surroundings to convert the wild, quivering energy from life, to present and pertinent works in which the viewer can find hints and references to problems in society

Upcoming exhibitions include a solo exhibition at Gl. Holtegaard, 2023. Recent solo exhibitions include Market Art Fair (SE, 2023), Work in Progress, Vejle Kunstmuseum (2022), Time To Move, Horsens Kunstmuseum (2022), Mental Make-Up, Alice Folker Gallery (2021), and Monsters and politics at Kunsthal for Maritim Æstetik (2019). Recent duo and group exhibitions include Lazy 8 with Farshad Farzankia, The Telegraph, (CZ, 2022), Seriously Fun with Jeppe Hein, Jeppe Hein Studio, (DE, 2022), Art Brussels (BE, 2022), MISA VAN HAM powered by König Gallery, Cologne (DE, 2021), Artissima (IT, 2021), FED LER - Krukker i kunsten nu, Gl. Holtegaard (2021), Philipp Haverkampf, (DE, 2020), Politikens Forhal (2020), Kunsthalle E-Werk, (DE, 2019), Anat Ebgi Gallery (L.A., 2018), NADA in Miami with Canada Gallery (NYC, 2017). The duo exhibition OFF-Grid with Casper Aguila (2019) was awarded by Statens Kunstfond. Næblerød’s works have been purchased by Ny Carlsberg Fondet, Statens Kunstfond, Kastrupgårdsamlingen, Vejle Kunstmuseum and Horsens Kunstmuseum.

Hiu Tung Lau (f. 1985, Hong Kong) MA in painting, The Royal College of Art, London and BFA in painting, The School of Visual Arts, New York. Hiu Tung Lau’s works are characterized by a painterly language grounded in everyday motifs and sentiments. Her work can be regarded as a meditation over the process of painting and sculpting. Lines, colours, and forms emerge when there is no conscious effort on her part. Hereby, she explores experiences that had an emotional impact on her and inspired her to paint, whether it be a stranger she met, bushes from sidewalks, or the taste of kumquat.

Recent exhibitions include I am in training, don’t kiss me at Flowers Gallery, Hong Kong (2022), In the Zone at Alice Folker Gallery, Copenhagen (2022), A cow’s head and a horse’s Jaw at Karin Weber Gallery, Hong Kong (2021), Don’t forget to look at the moon at Alice Folker Gallery, Copenhagen (2020), Dramas of the human heart at Fringe Club, Hong Kong (2019), and The Snapdragons at Dyson Gallery, London (2017).

Karim Boumjimar (b. 1998, Spain) is currently completing his MFA at the Royal Danish Academy of Fine Arts, Copenhagen and has a BFA from Central Saint Martins College of Art and Design, London. Boumjimar works with performance, painting, sculpture, installation, and drawing. His works often depict queer people and communities and explore ways in which queerness can be both beautiful and challenging by diving into the complexities of identity, intimacy, and social dynamics.

Boumjimar has recently exhibited with solo shows at Alice Folker Gallery (2023); Creator Projects, Copenhagen (2023); NSFW/SVILOVA, Gothenburg (2023); Springbrættet 6a, Copenhagen (2023); Galleri 1,4 m3, Copenhagen (2022) and Art Hub, Copenhagen (2021). Latest group exhibitions and performances include shows at Centro de Arte la Panera, Barcelona (2023); Dag H 42, Copenhagen (2023); Overgaden Institute for Contemporary Arts, Copenhagen (2021); Blake & Vargas, Berlin (2021); Kunstverein, Hamburg (2021); Cucina x Copenhill, Copenhagen (2021); Schauspielhaus, Zurich (2021) and Alexander Sauna, Athens (2018).

Parallel to other exhibits and practices, Boumjimar has performed with Young Boy Dancing Group since 2016 at various venues in Copenhagen, Berlin, Munich, Helsinki, Vilnius, Milan, Madrid and London.

Maria Zahle (b. 1979, Denmark) received her Postgraduate Diploma in Fine Art from the Royal Academy Schools, London and BA in Fine Art (Hons) from The Slade School of Fine Art, London. Zahle's practice is interdisciplinary and she works with sculpture, textile, collage, and poetry. In recent years, sculptural weaving and plant dyeing have been a central part of her practice.

Recent exhibitions include SOLO, Alice Folker Gallery (2023), No Stranger or Lover to Me, Rønnebæksholm (2022), Nat Skærer Blå, Vandrehallen, Hillerød Bibliotek (2021), The Toe The Horse The Sister, Bladr (2021), Sunny Legs, Frise Kunsthal, (DE, 2021), The Toe The Horse The Sister, Kunsthal Charlottenborg (2021), #AOTD - Art of the Day, CCA Andratx, (ES, 2020), Trotsky and the Wild Orchids, Arcade (UK, 2018), Maria Zahle in the Cobra room, Sophienholm (2018).

Marie Rud Rosenzweig (b. 1990, Denmark) has studied at Funen Art Academy, at Univärsitet der Künste in Berlin and Kunstakademie Düsseldorf. In her artistic practice, Rosenzweig employs painting, installation and text in a narrative sense. Thus, her artworks can be regarded as reflections of a hidden story. A larger narrative that unfolds in fragments that the viewer encounters through words, form and color.

Recent exhibitions include Kipple, solo exhibition, Kunstforeningen Gl. Strand (2023), In the Zone, Alice Folker Gallery (2022), Kassandras Søstre, Rundetårn (2022), Likert; never, rarely, sometimes, always, Baka’d’Busk (2021), Julesalon, Alice Folker Gallery (2021), Uge 4, Alice Folker Gallery (2021), Awakening before dawn, Kunst im Hafen (DE, 2021), Glitch, Baggaarden (2020), Para- at FAA Room (2018), as well as Untitled // The green exhibition, VÆRK (2016). In 2015 she was nominated for the award for young painting talents, the Schulz-Stübner Prize.

Ragnhild May (b. 1988, Denmark) MFA, Milton Avery Graduate School of the Arts Bard College, New York. May works as a visual artist and combines different media such as sound, sculpture, video, installation, performance, etc. with conceptual rigor, sensitivity and humor and often designs and builds her own instruments. The use of sound within a context of visual art is of particular significance, as her work respects the specificity, theory, and history of sound.

Recent soloexhibitions include Jyske Monstre, Regelbau 411 (2023), Institutional Critique for Kindergarten at Tabakalera - International Centre for Contemporary Culture (ES, 2022), Summer Scammer at Sol Nexø (2021), Salary-man does it “My Way” only when he sings, TADA art space (2019). Recent goup exhibitions include Drive in for Sound Art (NO, 2021), The Aesthetic Ear, Rønnebæksholm (2021) ; Struer Tracks Biennale (2021); Enter Art Fair (2021) and Interdimensionale, Gammelgaard Museum (2020).
Works of May has been shown at e.g. SMK (CPH), Overgaden (CPH), The New Museum (NYC), Roulette (NYC), Issue Project Room (US), Die Raum (DE), SuperDeluxe (JP), Rønnebæksholm, Astrid Noack's Atelier and Den Frie Udstillingsbygning. She has also received the Carl Nielsen Talent Award and is from 2020-2022 selected by the The Danish Arts Foundation to take part in their career development program ‘The Young Artistic Elite’.

Sophie Kitching (b. 1990, Isle of Wight, UK) graduated from École nationale supérieure des Arts Décoratifs, Paris, and was awarded an international grant to study at the School of Visual Arts, New York. Kitching works in various media, including installations, paintings and sculptures. With a poetic exploration of her environment and natural phenomena, her works offer curious reflections on the concepts of spaces and realities, through an alluring and inviting materiality. Via dynamic contrasts such as ethereality, rawness, light, the seen and the unseen, the artist creates atmospheres of both utopic otherworldliness and a grounded familiarity for the viewer to enter.

Recent exhibitions include solo show Nocturne, 3A Gallery (NY, 2023), De leur temps (7), FRAC Grand Large – Hauts de France (FR, 2023), touch of time, solo show, Alice Folker Gallery (2022), Degrees, Minutes, and Seconds, The Finch Project (UK, 2022), In the Zone, Alice Folker Gallery (2022), Enter Art Fair (2022), Maison 1729 in collaboration with House of Ruinart during Frieze Art Fair (US, 2022), The English Garden, Galerie Isabelle Gounod (FR, 2022), i set my face to the hillside, PS122 Gallery (US, 2022), carte blanche, Park Hyatt (US, 2021), Nuits Américaines, Maison de Chateaubriand (FR, 2017-2018) and Appareiller, Palais de Tokyo (FR, 2017). In 2016, Sophie Kitching was nominated for the “Bourse Révélations Emerige” and in 2018-2022, she was awarded a Studio residency as part of Painting Space 122 in New York.

Showroom May 2024

Showroom
May 2024