飛翔的鳥兒-自由翱翔
一座高聳入雲的高山-心靈的啟蒙
舒緩的碎浪瀑布-日常的宇宙秩序
印度尼西亞戰後藝術的獨特之處在於,其代表性藝術家難以被二元分類所侷限,無論是西方與東方、抽象與具象、自然與人為。 他們的作品以強大的自然意象為基礎,傳達獨特的印度尼西亞文化觀。
A majestic mountain reaching into the sky – spiritual enlightenment
The soothing cascades of breaking waves – everyday cosmic order
The works of the three artists represent a distilled view of the world around us through shapes that are elemental. Through triangles, squares, rhombuses and other primaeval symbols representing the cosmos, Fadjar Sidik, Umi Dachlan and Nashar's works present seemingly simple but positively profound imageries of nature predicated upon a distinctly Indonesian cultural worldview.
A unique characteristic of Indonesian post-war art is the way its representative artists evade binary categories – western/Oriental, abstract/representational, natural/artifice – to convey a distinctly Indonesian cultural worldview in their works underpinned by powerful imageries of nature.