Hsieh Jung-Wei, born in Taichung in 1991, works across installation and works on paper, drawing on natural observation and astronomical calculation to explore the relationships between light, structure, time, and spatial perception. His works are often developed in response to the latitude, orientation, and architectural conditions of a site, allowing viewing to unfold as a process of walking, pausing, waiting, and continually reorienting oneself in space.
Within Material Polyphony: Traces of Labor, Order, and Transformation, Hsieh approaches light as a medium made perceptible through material, architecture, and the moving body. In Beacon, reflective lines, light-based sculptures, and paintings emerge through the interaction between illumination and movement, transforming the artwork from a static object into a perceptual structure that continually shifts across time and space.