Neha Vedpathak

‘Part painting, part construction, my works have a sensory, tactile quality, and cast intricate shadows on the wall as they float upon it. There is a spiritual aspect to my slow, repetitive, and disciplined process, similar to meditative chanting, tuned to a slower pace.’

Neha Vedpathak (b. 1982, Pune, India) is a Detroit-based artist who creates sculptural installations and wall reliefs made from paper. Through her studio practice Vedpathak aims to broaden the dialogue and understanding of issues related to identity, spirituality and gender politics. Leading with the material and the inventive processes, she is a chronicler who weaves together inspiration and ideas from politics, feminism, and eastern philosophies. Using a self-invented technique, she calls ‘plucking’, Vedpathak spends hundreds of hours separating the fibers of handmade Japanese paper with a small pin. Vedpathak’s work has gained significant institutional recognition with a recent solo exhibition, ‘Time (Constant, Suspended, Collapsed)’ at Flint Institute of Arts, Michigan and an upcoming show ‘Subtleism: Neha Vedpathak with Agnes Martin’ at Cranbrook Art Museum, Michigan. Her work, ‘Still I Rise’ forms part of the permanent collection of Detroit Institute of Fine Arts and currently hangs in their new gallery of Indian and Southeast Asian art.

Upcoming and recent solo exhibitions include; ‘Subtleism – Neha Vedpathak with Agnes Martin’, Cranbrook Art Museum, Michigan (2024), ‘Neha Vedpathak - Ideally Imprecise’, Encounter, Lisbon (2024), ‘Neha Vedpathak: Creative Force,’ David Klein, Detroit (2023), ‘Neha Vedpathak: I Dwell in Possibility,’ Sundaram Tagore, Singapore (2022),‘ Neha Vedpathak - Time (Constant, Suspended, Collapsed’, Flint Art Museum, Michigan (2021), ‘Surface Rhythms’, Sundaram Tagore Gallery, New York (2020), ‘Into the Woods’, Simone De Sousa Gallery, Detroit (2020), ‘Many Moons, Same Sky’, Simone De Sousa Gallery, Detroit (2019), ‘Of the Land’, N'Namdi Center for Contemporary, Detroit (2018), ‘Bhabha’, The Poetry Foundation, Chicago (2016), ‘The Space Between’, N’Namdi Contemporary, Miami (2013), ‘Neha Vedpathak’, One Prudential Plaza, Chicago (2012). Recent group exhibitions include; ‘Sense of Materiality’, Sundaram Tagore, London (2023), ‘Artist Rooms’, Encounter, Lisbon (2023), ‘Invisible Threads’ Baker Art Museum, Florida (2022), ‘Fermata’ Encounter, London (2022), ‘Emerge’ National Indo American Museum, Lombard (2021), ‘What Remains’, Encounter, London, (2021), ‘Alterations, Activation, Abstraction’, Sundaram Tagore Gallery, New York (2019), ‘Edition 18’, Simone De Sousa Gallery, Detroit (2018), ‘Art on Paper’, Weatherspoon Art Museum, Greensboro (2017), ‘Transformation’ (performance), Arizona State University Museum, Arizona (2016).

Vedpathak’s work can be found in important public and private collections internationally including; Detroit Institute of Art, US Embassy Hyderabad, Progressive Art Collection, Camac Art Centre, Czech Academy of Sciences, Bharat Bhavan Arts Center, Madhya Pradesh State Art Museum, Anderson Ranch Arts Centre.

Nicolas Feldmeyer

“There is something, I’m not quite sure how to put it, that you can think in form, through form, you build, cut, paste, model, draw, as a way of thinking, you can conceptually make forms, not by talking cleverly about them, but in the form itself, by experimenting, experimenting, experimenting”

Nicolas Feldmeyer (1980) was born in Switzerland and lives and works in London. After completing an MSc in Architecture in Zurich he went on to study Fine Arts at the San Francisco Art Institute on a Fulbright Grant. Feldmeyer received an MFA with distinction from the Slade in 2012. His work has been awarded the Saatchi and Channel 4’s New Sensations First Prize 2012 and the William Coldstream Prize amongst others.

Feldmeyer has regularly exhibited at important galleries and institutions internationally. Recent solo exhibitions include; ‘Terrain Vague’, Encounter, Lisbon (2023), ‘Fading Light’, Encounter, Online (2020), ‘Beacon’, Hammersmith and Fulham Townhall, London (2018), ‘Towards the Horizon’, Fano Island, Denmark (2016), ‘Lacunae’, Lacuna Project Space, London (2015), ‘Subliminal Spaces’, Maddox Arts, London (2015), ‘Nicolas Feldmeyer’, MC2 Gallery, Milan (2014), ‘Untitled (Crypt)’, Christchurch Spitalfields London (2011). Selected group exhibitions include; ‘RSA Annual Exhibition’, Royal Scottish Academy, Edinburgh (2022), ‘Fermata’, Encounter, London (2021), ‘What Remains’, Encounter, London (2021), ‘Drawing Postal Project, Camberwell College, London (2021), ‘Photo London’, Encounter, Online (2020), ‘Shapes in Clouds’, Encounter, London (2020), ‘Everything Must Go’, Assembly Point, London (2019), ‘Photographs’, Sotheby’s, London (2019), ‘Border Lines’, Maddox Arts, London (2019), ‘5 Trillion Times’, China Academy of Art, Hangzhou (2018), ‘Aesthetica Art Prize’, York Art Museum, York (2018), ‘Art of the Postcard’, Handel Street Projects, London (2017), ‘No Lemon, No Melon’ Flowers Gallery, New York (2017), Artist Rooms, Encounter, London (2017), ‘Right Through You’, Koppel Project, London (2017), ‘Perfectionism’, Griffin Gallery, London (2015), ‘Lumen Prize’, New York Institute of Technology, New York (2014), ‘Hacking Spaces’, Bosse and Baum, London (2014), ‘Fresh Faced and Wild Eyed’, The Photographers Gallery, London (2013), ‘Saatchi Gallery and Channel 4 New Sensations’, Victoria House, London (2012). Feldmeyer is a guest lecturer at the AA School of Architecture, The CASS, Metropolitan University, and is Associate Lecturer at Camberwell College, University of the Arts London. His work is included in numerous public and private collections worldwide including The Victoria and Albert Museum, The British Museum, UCL Art Museum, Panoptes Collection, Sellar Property and British Land, MACAM Museu de Arte Contemporânea Armando Martins.

ARCO Lisboa 2024 (BOOTH OP04) | Nicolas Feldmeyer + Neha Vedpathak