伊日藝術計劃台北空間現正展出聯展《魔幻日常》，展期自 2026 年 9 月 10 日至 10 月 31 日。本展亦呈現臺灣藝術家陳松志（Chen Sung-Chih）的作品。
陳松志 1978 年生於臺灣，畢業於國立臺南藝術大學造形藝術研究所，現生活與創作於臺北及臺中。自 2001 年起，他持續發表個展，並曾參與紐約 ISCP、韓國 MMCA 高陽藝術工作室及巴黎西帖國際藝術村等駐村與交流計畫。他曾獲 2022 蕭勤創作獎及 2013 路易威登台北藝文空間藝術徵件首獎，作品獲國立臺灣美術館、臺中市立美術館、文化部藝術銀行及朱銘美術館等機構典藏。
陳松志的創作以觀念為起點，主要透過複合媒材與空間裝置展開。他經常從現成物與日常素材出發，藉由拆解、拼組與轉化，重新安排材料與空間的關係。粗糙、生冷或帶有使用痕跡的材質，在他的作品中逐漸帶有溫度與詩意，並成為承載記憶、儀式與時間變化的媒介。克制而安靜的空間安排並不急於建立明確敘事，而是引導觀者感受人與周遭世界之間難以言說的聯繫。
呼應《魔幻日常》的策展主題，作品中的「魔幻」來自日常材料離開原有用途後產生的細微轉變。熟悉的事物在新的組合與觀看方式中被重新理解，也讓容易被忽略的情感與生活痕跡逐漸浮現。陳松志的作品由此提醒我們，現實並非固定不變，而會在記憶、感知與物質的交會之中，不斷獲得新的意義。
YIRI ARTS Taipei is currently presenting Magical Everyday, a group exhibition on view from September 10 to October 31, 2026. The exhibition includes works by Taiwanese artist Chen Sung-Chih.
Born in Taiwan in 1978, Chen graduated from the Graduate Institute of Plastic Arts at Tainan National University of the Arts. He currently lives and works between Taipei and Taichung. Since 2001, he has presented numerous solo exhibitions and participated in international residency and exchange programs, including ISCP in New York, MMCA Goyang Art Studio, and Cité Internationale des Arts in Paris. He received the Hsiao Chin Creation Award in 2022 and the First Prize of the Espace Louis Vuitton Taipei art competition in 2013. His work is held in the collections of the National Taiwan Museum of Fine Arts, Taichung Art Museum, Art Bank Taiwan, and Juming Museum.
Chen’s practice begins with ideas and takes shape primarily through mixed media and spatial installation. He often works with found objects and materials from everyday life, dismantling, assembling, and transforming them to reorganize their relationship to space. Rough, impersonal, or visibly worn surfaces gradually acquire warmth and poetic resonance, becoming carriers of memory, ritual, and the passage of time. His restrained and quiet installations do not resolve into fixed narratives. Instead, they invite viewers to sense the elusive relationships between individuals and the surrounding world.
In dialogue with Magical Everyday, the magical in Chen’s work emerges through the subtle changes that occur when everyday materials leave their original functions behind. Familiar things are understood anew through different arrangements and modes of looking, allowing overlooked emotions and traces of life to surface. His work suggests that reality is never fixed, but continually acquires new meaning through the intersections of memory, perception, and matter.