ASIA NOW

This year, Dumonteil is delighted to showcase two remarkable artists at the Asia NOW 10th edition, each bringing their unique perspectives and creativity to the forefront.

Weng Jijun (b. 1955, Shanghai, China)

is a master of contemporary lacquer art, blending ancient Chinese traditions with modern aesthetics. His works, rich in texture and cosmic storytelling, transcend the boundaries between art and craft, tradition and innovation. With over four decades of exploration in lacquer, Weng creates visually stunning pieces that evoke the mysteries of the universe and the essence of human memory. Exhibited globally, including at the Venice Biennale and Dumonteil Contemporary, his art is celebrated for its intricate beauty and profound depth. Discover Weng Jijun’s transformative lacquer works, where timeless craftsmanship meets visionary expression.

His work has been exhibited or collected by major art institutions in China such as K11 Museum, Hubei Museum of Art, Guangzhou Museum of Art, Fujian Museum of Art, Chinese Olympic Committee, Expo Shanghai China, etc. His publications include “Weng Jijun”, 2nd column of Shanghai Artists Work Collection (2005); “Splendidness - Lacquer Art”, Shanghai Scientific and Technological Education Publishing House (2006).

Liane Chu (b. 1997, Hong Kong)

graduated from the Communication and New Media program at City University of Hong Kong. She is currently pursuing a Master's degree in Experimental Art and Technology at the Central Academy of Fine Arts. Chu's works have been exhibited at institutions such as Aurora Museum, Shanghai; Shining Art Gallery, Guangzhou; K11 Art and Culture Center, Hong Kong; and Madein Art Center, Shanghai, etc. Her works have been included in the collections of Aurora Museum, LiangyangGroup, Cathay Pacific, among other institutions. Liane Chu's work is not only a personal narrative reflecting her experience with Tourette's syndrome but also a canvas challenging society's boundaries of "normal" and "abnormal." Each stroke serves as a cathartic release, embodying her belief in self- healing and self-expression. Chu attempts to break free from binary divisions, aiming tofind hope and tranquility in the chaos of life. In her surrealist landscapes, Chu also explores how humans, akin to trees, are deeply influenced by their consumption. Just as nutrients sustain us, harmful content can lead to decay. She emphasizes the pervasive influence of media in urban life, illustrating how ourinteractions with technology subtly shape our existence.